Collection: Miniature Portraits

The primary supports are watercolour on ivory (the most common format from the late 18th century), enamel on copper (earlier and more durable), and watercolour on vellum (the oldest format). Each requires different handling and storage conditions. Ivory is susceptible to humidity fluctuation and direct light. Enamel is more stable but frames and cases can be fragile. We advise on the specific care requirements of every piece at the time of purchase.

We assess the support material, the painting technique, the style and handling consistent with the stated period, the character of any ivory or vellum ageing, and the period-appropriateness of the frame or case. Signatures, where present, are assessed alongside the work itself. We document our findings clearly, including the period assessment and the basis of any artist attribution.

In many cases, the subjects are unidentified — a significant proportion of portrait miniatures were separated from the families and documentation that once connected them to a specific person. Where subject identifications are documented, we provide this information. Where they are not, we note any inscriptions, dates, or other information that survives with the piece.

Display miniatures away from direct light — UV light causes fading in watercolour, and ivory is sensitive to both light and humidity. Avoid hanging on exterior walls. When not on display, store in their original cases where these survive, or in acid-free materials away from humidity. We recommend specialist framing for any miniature that requires new glazing or backing.