Collection: Wall Art

We examine the support — canvas, panel, or copper — for period-consistency, assess the ground preparation and pigment palette against the stated period, and evaluate the execution and style of the work. The backs of paintings often provide as much information as the fronts: stretcher construction, old labels, auction stamps, and the character of the canvas ageing all contribute to a complete picture.

Attribution ranges from firm — a signed, documented work with a clear exhibition history — to tentative, where a work is consistent with the style of a period or school but cannot be firmly connected to a named artist. We document the basis of every attribution and are always transparent about the level of certainty involved. A tentative attribution to a school or period is not misrepresented as a firm attribution to a named artist.

Yes — and skilled cleaning can reveal works that appear dull or overcleaned in a very different light. Surface cleaning, varnish removal, relining, and inpainting are all established conservation practices. We recommend that any restoration work is carried out by a qualified paintings conservator, and we can provide referrals. Any restoration carried out on pieces in the collection is documented.

Hang paintings on interior walls, away from exterior walls where temperature variation is greatest, and away from direct sunlight, fireplaces, and heating vents. Check hanging hardware annually. Dust frames gently with a soft brush — do not dust painted surfaces. Paintings that need cleaning should be assessed by a conservator before any work is attempted.